The Mexican Films With their Best Stories
El violín ( Le Violon , 2006), by Francisco Vargas, which tells the story of Don Plutarco, an old violinist who decides to support a guerrilla group, masterfully reveals the most human side of the rebellion. Vargas gives voice to the “voiceless”, but its merit goes even further and consists in making present, thanks to the cinema, a reality dating back forty years. A visit to https://real-primewire.com makes things perfect there in your viewing experience.
The Graphic Circles
El traspatio ( L’arrière-cour , 2009), by Carlos Carrera, presents images hitherto mainly reserved for graphic circles and television news: women murdered in a desert. Speak here those who are no longer there to denounce misogyny and impunity. The courage of Carrera’s postulate does not only lie in the impact produced by these images, but also in the hypotheses he explores around the question of the murders of women in Ciudad Juárez.…